Our Curriculum

Explore Our Curriculum

Arts

  • Advanced Art I

    This year-long course will emphasize artistic personal development. At this stage students will have a good idea of the medium and techniques they respond to and find challenging. Students will develop a mature, consistent body of work and begin to recognize common reoccurring traits in their work, the beginning stages of personal style. In this class students will be advised in portfolio development, proper documentation of works of art, and active critical thinking in their perception of works of art. Special assistance with application requirements, portfolio development and scholarship applications will be given to students who will be applying to art schools. Admission is approved by the Art department. Preference will be given to seniors who may be interested in pursuing some aspect of the visual arts in college.

    Prerequisites: Three semesters of art classes, to include the following: one semester of Art Foundation; one semester of Drawing, Painting, or Mixed Media; and a second semester of Drawing, Painting, Mixed Media, or a semester of Ceramics/Sculpture, Digital Photo, Darkroom Photo or Digital Video.
  • Advanced Ceramics

    In this class, students will build upon concepts and techniques learned in Ceramics I to delve further into their own studies of how to manipulate clay. We will explore hand building techniques, including pinch, coil, and slab, as well as spend time on the potter’s wheel learning how to throw vessels and various forms. Students will also learn about the diverse cultural uses and historical significance of pottery. Form and function has an important role in the class in regards to sculpture versus dishware. Students will complete ceramic pieces using various applications of ceramic glazes and firing procedures, to produce finished ceramic ware. This course will culminate with an end-of-semester show comprised of a series of their most accomplished works.

    Prerequisites: Ceramics I and Ceramics II
     
  • Advanced Digital Arts I

    The Advanced Digital Arts class is a dynamic, multi-disciplinary studio that brings together a mix of graphic designers, videographers, and photographers. By shifting the focus from medium-specific assignments to universal creative themes—such as color theory, surrealism, and reflection—students are empowered to interpret long-term projects through their own specialized lens. 

    Beyond individual mastery, this course serves as a collaborative hub where students are encouraged to share their unique perspectives and technical expertise with one another. These cross-disciplinary interactions challenge students to step outside their comfort zones, offering an opportunity to see how a single concept can be transformed across different digital platforms. Whether through peer critiques or formal partnerships, students will leave the course not only with a professional portfolio in their chosen medium but also with a deeper understanding of how diverse digital arts intersect.

    Prerequisites: Digital Photography, Graphic Design, OR Digital Video.
  • Advanced Digital Arts II

    This semester course is a continuation of Advanced Digital Arts 1. It is intended to be a more independent, project-based class and the purpose is for each student to apply the technical skills learned in their lower-level digital classes. Each student should be prepared to provide and accomplish specific goals for the semester. Exhibition of the work created is required. Individual and group critiques are part of classroom evaluation and visits to galleries and museums are part of the course activity.

    Prerequisites: Advanced Digital Arts I
  • AP Art History

    This full-year course is a survey of art through the Ancient, Medieval, Renaissance, Baroque and Modern periods, which prepares students for success on the Advanced Placement exam. The end of the course will briefly cover trends in contemporary painting, sculpture and mixed media works. Students can expect to take tests, write analytical essays and take a first semester exam. A final project in the course will serve as the second semester exam grade.
  • Art Foundation

    This is a basic foundation class designed to introduce students to art concepts and various types of media and techniques in the planning, design and production of works of art. Students will be introduced to two-dimensional media. Through a series of lectures, demonstrations, and exercises, students will be exposed to the formal and design elements. The student will be encouraged to start developing a critical eye, and an idea of how the creative process works. Sketchbook assignments and critiques will be part of the course.
  • Broadcasting

    This one-semester course explores the many career options in broadcast journalism. Students will interact with traditional broadcasting specialties while learning to adapt storytelling and information delivery methods to audiences. The class will experience and learn from current professionals in the field.  Guests will join us live in class and via zoom. Expect the unexpected. 
  • BUILD 9

    In this class, which meets one day per week for one semester, students will use high tech tools like a 3D printer or simple materials like cardboard to design and create machines, art projects, or devices.  Students are tasked with projects that focus on a specific problem and allow them to solve the problem in their own way.  Possible topics will include 3D printing, wearable computing, and rapid prototyping. These projects focus on process, not product and students learn as they design and redesign their projects. This learning environment teaches students that there is no one right answer and instills a desire to constantly refine and improve on their ideas. Students will be assessed on the documentation and presentation of their product as well as the product itself.
  • Ceramics I

    Ceramics is a semester long, introductory course that is designed explore a variety of pottery/sculpture techniques and forms, combining expression of personal ideas with an understanding of history and aesthetics. Students will learn the technical terms for tools, equipment and materials, as well as introductory hand building techniques (slab, pinch pot, draped slab and coil method). Wheel throwing will be introduced, and the Elements and Principles of Design will be considered throughout the course. Emphasis will be on developing skills with the materials and creative thinking, as well as introducing students to historic examples of ceramic art and contemporary artists in the field. Group critiques are part of class participation. Outside assignments include the study of individual artists and some sketchbook work.
  • Ceramics II

    This course is a continuation of hand building and wheel throwing techniques in clay. Students will work on more individualized projects that combine the hand building methods, and there will be a stronger emphasis on wheel throwing. Students will be able to begin creating a cohesive body of work that is based on their individual interests. Preliminary sketches of each project will be required. Students will also be exposed to new clay bodies, such as porcelain and various stoneware clays, and a broader range of glaze applications. Discussion, critiques, and exhibition will be important throughout the course.
  • Digital Art Foundations

    This introductory course explores the fundamentals of photography, graphic design, and video production. Students will gain a foundational understanding of each discipline, preparing them for more advanced coursework in these areas. The course covers industry-standard software, including Photoshop, Lightroom, Premiere Pro, and InDesign, and incorporates hands-on learning experiences through field trips. By the end of the course, students will have a basic understanding of art and design principles, digital art software, and digital art equipment.
  • Digital Photography

    This course is designed for students who have mastered the fundamentals and are ready to push their creative boundaries. Rather than repetitive technical drills, we use the work of traditional and contemporary masters as a catalyst for deep, long-term thematic exploration. While the focus shifts toward conceptual storytelling, your technical growth remains a priority; each project serves as a laboratory to refine your mastery of manual DSLR controls, advanced lighting, and sophisticated composition. 

    To bridge the gap between vision and execution, students will utilize a process sheet for every project to guide them through a workflow. Throughout the process, a critique loop allows for documenting peer feedback and self-reflections to inform meaningful revisions, ensuring the final product aligns with the original artistic intent while demonstrating technical excellence.

  • Digital Photography II

    Prerequisite: Digital Photography I. This course is designed to introduce students to digital photography in today’s world. Digital photography will be explored through contemporary artists, as well as professional digital photographers. The students will focus on creating their own art and practicing professional photography. Students are expected to provide a digital SLR camera with full manual adjustments (automatic settings only will not work), their camera manual, a laptop with Adobe Creative CS4 Suite, and a thumb drive. Visits to studios and galleries are part of the course activity.
  • Digital Video

    Digital Video is a course designed to foster and grow each student’s creativity and technology-based skill set.  By using light, sound, editing software, audio software, and digital cameras, as well as tapping into their writing skills, students compose and produce projects around their interests and passions.
  • Drawing

    Students will focus on studio exercises on varied representational modes and media. Students will have the opportunity to be exposed to a variety of artists and media through lectures and visiting artists, galleries and museums. Aesthetic awareness will continue to be a focus, and sketchbook assignments and critiques will be part of the course.

    Prerequisite: Art Foundation
  • Graphic Design

    This class provides a comprehensive introduction to Adobe Photoshop.  Students learn the basics of image enhancement and how to manipulate photographs using both digital capture and scanned sources. Basic program operation and management are emphasized.  Cropping, making selections, retouching and color balance correction, use of Photoshop layers, layer masks, and sharpening are all examples of topics that are covered.  Students also create new works of art using paint tools and collage.
  • Honors Advanced Art II

    Prerequisite: Advanced Art I

    This class is an honors class; students enrolled in this class must complete the bulk of the projects independently with close guidance from the art teacher. The student is also responsible for the following work: 

    • Art historical research project and presentation to one of the art classes.
    • Scholastic portfolio submitted to the Scholastic competition. This is a very competitive endeavor, which requires the student to enter ten to twelve pieces.  The work has to be photographically documented and submitted along with a school transcript and a letter of recommendation.
    • Individual “solo” exhibition during the second semester. This exhibition will give the student the opportunity to prepare and display the work in a professional manner.
  • Journalism I

    This one-semester course introduces the fundamentals of journalism - what makes news; how to interview sources; how to research and assimilate information and quotes in concise, coherent stories. Areas of focus include story idea development and narrative composition, interpersonal skills and empathy in interviewing sources, and organization in compiling information and meeting deadlines.
  • Journalism II

    Journalism II provides structured school time for student members of the newspaper and yearbook staff. A workshop approach contributes to a relaxed, supportive atmosphere where students collaborate to meet deadlines. This course encourages curiosity and problem solving as boys brainstorm ideas before drafting, revising, and editing projects.  A required class for all senior editors of The Pine Needle and Raps & Taps, Journalism II is also taken by underclassmen who aspire to a senior editor position.
  • MAKE (BUILD)

    MAKE, also known as Design and Fabrication Studio, is a hands-on, creative course that blends elements of art, science, technology, engineering, and math through making, tinkering, and design. Students will explore how to design, build, experiment, collaborate, and problem-solve using a wide range of tools and materials in St. Christopher’s fully equipped makerspace environment (BUILD Lab). No prior experience is required, and the course is open to all students interested in creating, building, crafting, and exploring new ideas.
  • Mixed Media

    Students will be introduced to several techniques and materials that will reinforce the formal aspects of the art making processes. Students will experiment with the unconventional means to produce works of art, including assemblage, digital image manipulation, experimental image making, printmaking, and others. This class will emphasize creative problem solving, experimentation and personal self-expression in the art production process. Sketchbook assignments and critiques will be part of the course.

    Prerequisite: Art Foundation  
  • Painting

    Emphasis will be placed on methods, materials, and techniques of pictorial organization, from observation or imagination, using watercolors, acrylic, and oil paint. Students will have the opportunity to be exposed to visiting artists and media through lectures and museums. Aesthetic awareness will continue to be a focus, and sketchbook assignments and critiques will be part of the course.

    Prerequisite: Art Foundation 
  • Public Speaking

    This course, open to St. Christopher's students in grades 10-12, will provide students with a safe environment to learn and implement the techniques required for effective public speaking— a vital and necessary skill required in most aspects of adult life, but which is often the cause of enormous anxiety and fear. Through an investigation of speaking techniques and regular practical implementation students will learn the tips, tools, and practices they need to dispel their anxieties and become more expressive, convincing and effective public speakers. Modes of assessment will include regular in class presentations, speech writing assignments, readings as assigned, and the delivery of a final prepared speech.
  • Woodworking

    Woodworking is a branch of the Fine Arts Program.  Classes are one semester in length in the Upper School.  The course material progresses from one level to the next with each designed to broaden the base of technical knowledge, skills, and innovation, thereby equipping each student to explore woodworking in an increasingly independent and creative way.  

    Woodworking I begins with an introduction and orientation to life in the wood shop, which covers machine usage, safety procedures, and the basics of lumber prep. The main project, building an Adirondack chair, consists of two sections: lumber processing and chair assembly, each teaching skills such as cutting, shaping, using a jig, making duplicates, and finding angles. Students will learn lessons in efficiency, preparation, patience, and how these play into making not only a well rounded woodworker, but a problem solver. Time permitting, students will apply their skills into a lamp project, strengthening their technical abilities through creativity and self expression. Assessments will be on their wood processing, understanding of safety, project completion, and overall behavior and effort in the class.

  • Woodworking II

    Woodworking is a branch of the Fine Arts Program.  Classes are one semester in length in the Upper School.  The course material progresses from one level to the next with each designed to broaden the base of technical knowledge, skills, and innovation, thereby equipping each student to explore woodworking in an increasingly independent and creative way.  

    Woodworking II grows upon the technical and creative basics of the previous class by learning the detailed origins of each process and beginning to independently apply them. Topics include: squaring stock, jig and cut list creation, mortise and drill press set up, and sharpening tools. Students work through design, preparation, and an execution process that involves advanced joinery techniques. After completion, there will be an opportunity for more independent design and construction of a project of their choosing to further develop their artistic exploration.

  • Woodworking III

    Woodworking is a branch of the Fine Arts Program.  Classes are one semester in length in the Upper School.  The course material progresses from one level to the next with each designed to broaden the base of technical knowledge, skills, and innovation, thereby equipping each student to explore woodworking in an increasingly independent and creative way.  

    Woodworking III promotes students' individual creative expression in an advanced technical way. Through evocative research, conception, and principles of design, they will create a piece with advanced joinery and craftsmanship. The goal of the class is for the student to independently create their piece with some instructive assistance.

  • Writer's Workshop: Intro to Storytelling

    In this course, open to St. Christopher's 9th and 10th graders only, students will learn to read as writers and build a portfolio of creative writing. While students will be exposed to selections of prose (short fiction and personal essay), poetry, and scenes from screenplays to explore various forms of storytelling, this class will be driven by student interest. Are you into Sci-Fi? Great. Do you want to write speculative fiction or short screenplay? Wonderful. Students will be given agency to explore their own passions as long as it takes the shape of artful writing. We will work to build a generous culture of peer feedback, and students should expect to share their work regularly throughout the semester and help their peers achieve their artistic potential. Offered if numbers permit.